Room 426 Miralda. Cenotaphs, 1969-1975

Room?s details

Miralda’s interest in public space and the concept of monuments as a formula for political interference in daily life gave rise to a number of sculptures that he called Cenotafios. Monumento de interés turístico-cultural (Cenota­phs. Monument of Touristic-Cultural Interest, 1969-1975). These architectural structures -actually models of possible monumental constructions in a public places- are festive and visitor-friendly, providing a fun alternative to institutionalised tourism based on guidebooks and traditional monuments.